livewords november recap

A warm night in crisp November. An attentive crowd came to livewords on November 4 to hear Ian Burghan, Alex Boyd and Jill Battson wrap words around breath with grace and ease.

The open mic, our last for at least a little while, brought seven voices to the microphone. Thanks to our volunteer judges Tom Fiore and Margaret who awared best open mic reading to Kimberley Dawkins and best original poem to Nick Power.

The Black Swan as always gave us a friendly and warm place to hang and enjoy poetry. A good night.

November 4, livewords welcomes Jill Battson, Alex Boyd and Ian Burgham.

This Thursday, November 4th, livewords welcomes poets Jill Battson, Alex Boyd and Ian Burgham!

Plus our 1-piece Open Mic Challenge:

Bring your best new poem and compete for cash and glory. Be warned: this is our last Open Mic. Ain’t never gonna happen like this again. Open Mic Sign-Up at 7:30

Black Swan, 154 Danforth – 2nd floor - map

Doors at 7:30

Readings from 8 p.m.

Hosted & Produced by Edward Nixon

Contact us: info@livewords.ca

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Jill Battson is an internationally published poet and poetry activist who is currently   the Poet Laureate of Cobourg,  Ontario.  She was responsible for creating and   running the successful poetry reading series The Poets’ Refuge and has initiated and produced many poetry events including The Poetry Express – a BYOV at Toronto’s Fringe Festival; Liminal Sisters  – a language poetry event; The Festival of the Spoken Word  a five -day spoken word festival;  Fightin’ Words – poets in a boxing ring; The Poetburo Slams and the hyper-­‐successful  Word Up — a  series of interstitial poetry spots airing  on  MuchMusic and Bravo! which spawned a CD with Virgin Records and an anthology with Key Porter. She was the poetry editor for Insomniac Press from 1999 to 2001. Jill is widely published across North America and the UK. Her first book, Hard Candy, was received to great acclaim and nominated for the Gerald Lampert Award. She has written several plays and solo works, including How I learned to live with obsession as well as Ecce Homo and Hard Candy – enhanced monologues for dance and voice. She has written the libretti for two short operas, Netsuke and Ashlike on the Cradle of the Wind, produced by Tapestry New Opera Works, and produced an electro acoustic sound art project, LinguaElastic, as part of the Canadian Music Centre’s New Music in New Places series. Dark Star Requiem, for which she wrote the libretto, premiered at Toronto’s Luminato Festival in June 2010. Jill’s third book of poems, Dark Star Requiem, was recently published by Folded & Gathered Press.

Alex Boyd lives in Toronto.  He writes poems, fiction, reviews and essays, and has had work published in magazines and newspapers such as Taddle Creek, Books in Canada, The Globe and Mail, Quill & Quire, The Antigonish Review and on websites such as Nthposition. He booked and hosted the I.V. lounge reading series in Toronto for five years, eventually co-editing IV Lounge Nights, an anthology to celebrate the series.  He edits the online poetry journal Northern Poetry Review, and his award-winning first book of poems Making Bones Walk was published in 2007.  More recently, he has co-edited several editions of Best Canadian Essays.

Ian Burgham’s The Grammar of Distance, was published in April of this year by Tightrope Books. This poetry collection followed two previous collections, A Confession of Birds, 2003 and The Stone Skippers, 2007. He won Queens University’s Well-versed Poetry Award in 2004 and was nominated for the Relit Award for The Stone Skippers in 2008. He has published both nationally and internationally (UK and Australia) and his work has appeared in many Canadian literary journals. Currently he is working on a fourth collection, A Weight of Bees, which will be launched in London, England and in Toronto in 2012.

Poetry in Translation Open Mic returns August 26

Our infamous (or is it beloved?) “Poetry in Translation” Open Mic will return on August 26.

It’s straightforward. Any who wish (up to our maximum of 8) to sign-up on the night will read 1 poem – either read a favourite translation of a non English language poet or present your own original translation of a non English language poet.

Our judges (chosen on the night) will asses and award a prize (cash per the passing of the hat) for best reading and best original translation.

livewords April – the National Poetry Month edition – with Briesmaster, Dempster and Hibbs.

Join us April 22, for readings by poets Allan Briesmaster, Barry Dempster, and Angela Hibbs at the Black Swan, 154 Danforth Avenue, just east of Broadview (map). Readings commence at 8 p.m.

Allan Briesmaster is a freelance editor, publisher, and literary consultant. His most recent books of poetry are Interstellar (Quattro Books, 2007) and Confluences (Seraphim Editions, 2009). He was centrally involved in the weekly Art Bar Poetry Reading Series in Toronto from its beginnings in 1991 until 2002. His poems have appeared in many journals and anthologies, and he has read his work in venues from Victoria to St. John’s. As an editor, working with several literary presses, Allan has been instrumental in the production of more than 80 books of poetry and non-fiction since 1998. In 2008 he co-edited the 256-page anthology Crossing Lines: Poets Who Came to Canada in the Vietnam War Era for Seraphim Editions. Allan lives in Thornhill, Ontario with his wife Holly, a visual artist who has collaborated with him several times on book projects.

Barry Dempster is the author of fifteen books, including a novel, The Ascension of Jesse Rapture, a children’s book, two volumes of short stories and eleven collections of poetry.   He has been nominated for the Governor General’s Award twice and has won a Petra Kenney Award, a Confederation Poets’ Prize, a Prairie Fire Poetry Contest and the Canadian Authors’ Association Jack Chalmers Award for Poetry for his 2005 collection, The Burning Alphabet.   In 2009, he published two new books of poetry: Love Outlandish, published by Brick Books, and Ivan’s Birches, with Pedlar Press.   A new collection, Blue Wherever, will be published by Signature Editions in the spring of 2010.   Barry is acquisitions’ editor at Brick Books.  Over this past year, he was a Wired Writing mentor at the Banff Centre as well as facilitator of a two week poetry workshop in Santiago, Chile.   He lives in Holland Landing, Ontario, where he runs a film series and two book discussion groups.

Angela Hibbs’ second collection of poetry, Wanton, came out with Insomniac Press in the fall. Her work has been translated into Russian and French. Her first collection, Passport was long listed for the re-lit award. She was the winner of the 2001 Starchie Award, was shortlisted for the Irving Layton award and holds a MA creative writing from Concordia University.

+ Poetry in Translation Open Mic Contest:

  • 1 Cash Prize for Best Reading of a Poem Translated into English (not your own work)
  • 1 Cash Prize for Best Reading of an Original Translation (your translation, not your original poem)
  • Sign-up at 7:30 p.m.

As seen @ Open Book Toronto

Day, Howell and Weatherbie on Feb 25

livewords welcomes David Day, Bill Howell and Rod Weatherbie on Thursday February 25 at the Black Swan, 154 Danforth Avenue, just east of Broadview (map). Readings commence at 8 p.m.

David Day was born and raised in Victoria, British Columbia. He is a poet and author who has published over 40 books of poetry, ecology, history, fantasy, mythology and fiction. David Day’s books – for both adults and children – have sold over 4 million copies worldwide and were translated into twenty languages. In 1978, he published A Tolkien Bestiary, the first of his six best-selling books on the works of J R R Tolkien. In 1981, his Doomsday Book of Animals was a ‘Book of the Year’ selection for Time Magazine, New Scientist, Los Angeles Times and The Observer. And in 1984, Day wrote Castles, the first of five books in collaboration with the Academy Award winning artist,
Alan Lee.

In 1986, The Emperor’s Panda was runner-up for the Governor General’s Award and the National Library Award, and was adapted for stage by the Toronto Young People’s Theatre. That year, his poems were prize winners in the CBC National Poetry Competition. David Day has also written for theatre and television. His 100-part Lost Animals TV series (narrated by Greta Scacchi) was commissioned by the Knowledge Network in the US, Channel 4 in the UK and NHK in Japan. It was later translated into 18 other languages.

Day is currently contracted to Hall Train Studios, Toronto as Creative Director of ‘The Dodo Chronicles: A Voyage of Discovery, Extinction and Survival’ – a high tech travelling museum show which incorporates animatronics and holograms. ‘The Dodo Chronicles’ will also be published as an illustrated book. Also forthcoming is a new book of poems, ‘Lost Animals: A Book of Hours’.

Bill Howell has four poetry collections: The Red Fox (1971), In a White Shirt (1982), Moonlight Saving Time (1990) and Porcupine Archery(2009), released by Insomniac Press. Ghost Test Flights (Rubicon Press, 2008) was a winner in the inaugural WCDR Chapbook Challenge. His writing has appeared in literary journals and magazines across the country, in the United Kingdom, and in the United States. Recent readings: Art Bar, Best of Canadian Poetry Launch, Hot-Sauced Words, Insomniac Launch, LiT LiVe, Pivot, Rower’s Pub, and Tree: http://www.treereadingseries.ca/12janbillhowell.html Upcoming: “The Poetry of Radio”, WCDR/Whitby, Jan. 13th: WCDR Bill was a network producer-director with CBC Radio Drama for three decades. He lives in Toronto.

Rod Weatherbie is currently a working writer living in Toronto, although he was an unemployed writer for some time in Prince Edward Island. At one time he was a member of the Secret Swarm in Charlottetown, had poetry published in that group’s anthologies, and also has had work published in Red Shift, and the Antigonish Review. Rod is also a current member of Plasticine Poetry, a workshop and performance collective in Toronto. Distant relations have accused Rod of being a member of the financial press.

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